This movie is too graphic for Teens, and probably some adults too, it's well written, and some of the scenes are iconic, still, it rightfully earns it's R rating. This title has: Great role models. Too much violence. Too much sex. Too much drinking/drugs/smoking. 1 person found this helpful. Psycho-biddy is a film subgenre which combines elements of the horror, Predator: Requiem (2007) One night, Sam and his son Tony are playing in the yard, and Sam is abducted by aliens. Three years later, an alien shows up and impregnates some poor woman in a cabin, after which she gives birth a mere few minutes later to a full-grown Sam. Joy to the World. O G M Orchestra. 24. Second song at Evelyn’s Christmas party as Patrick finds Paul Allen there. Evelyn overhears Paul call Patrick Marcus and asks Patrick why he called him Marcus. windows 11 exit full screen palm rats in florida. wcue codes 2022 x knaben unblocked x knaben unblocked Mỹ Điên (American Psycho) (2000) American psycho là bộ phim được chuyển thể từ là tác phẩm cùng tên của nhà văn Bret Easton Ellis, kể về một kẻ giết người hàng loạt. Ngay khi phát hành, cuốn sách đã bị chỉ trích khá nhiều vì tính bạo lực và sex của nó. Sai lầm lớn nhất của tác phẩm này có lẽ là sự mơ hồ T2MbVTn. Một bộ phim về chủ đề kinh dị nhưng lại mang trong mình một sự hoang dại, hưng phấn, cảm xúc tột đỉnh. Và một kết thúc để lại nhiều suy tiên mình xin nhận xét tí về bộ phim. Phim về cơ bản là XUẤT SẮC. Đặc biệt là phần diễn xuất của "Người dơi" Christian Bale điên cuồng nhưng cũng rất suy tiết phim diễn ra vừa phải không quá nhanh hay quá chậm, khá chặc chẽ, dễ hiểu. Vấn đề duy nhất của phim chỉ là đoạn kết thúc. Xem đến đây chắc nhiều bạn trong đó có cả mình kiểu như là "Ơ! Cái đ** gì mới xảy vậy".Để nói về cái kết này thì mình xin được khái quát lại nội dung phim một kể về một doanh nhân thành đạt ở phố Wall - Patrick Bateman. Một người đàn ông quyến rủ, tài giỏi, "bố làm to, nhà mặt phố". Chỉ có duy nhất một điều "đam mê" giết người và tra tấn. Thõa mãn, tự hào với những sở thích lập dị của mình nhưng những tờ bưu thiếp, những buổi tối được đặt cộc ở những nới xa xỉ lại làm Bate phát điên. Thế là anh quyết định giết Paul Allen với 1 lý do không thể mặn hơn bưu thiếp của mày đẹp hơn của tao. Đọc thêmTừ đó Bate càng trở nên điên cuồng ngày càng giết chết nhiều người và giữ chúng ở căn hội. Mọi thứ chỉ chấm dứt vào cái đêm cuối khi anh định sát hại một con mèo, giết chết một bà già, bắn nổ xe cảnh sát bằng một cách thần kỳ nào đó, giết chết lễ tân và lao công khách sạn vì đã nhìn thấy anh, và cũng bằng cách thần kỳ nào đó quay lại cái khách sạn đó lễ tân vẫn bình thường và anh kí giấy rồi lên phòng. Đến cảnh đó có vẻ như anh ấy đã hết hi vọng và không còn gì có thể tha thứ cho mình anh quyết định gọi luật sư và khai hết sự đặc biệt nhất là sáng mai, mọi người vẫn đối xử bình thường với anh ấy. Ngay cả luật sư cũng nghĩ cú điện thoại đó chỉ là một trò đùa. Mặc dù Bate đã ra sức thú tội nhưng có vẽ như không ai coi lời thú tội đó ra gì. Phim kết thúc bằng suy nghĩ của BateThis confession has meant NOTHINGĐến đây chắc sẽ có một vài bạn suy ra ý nghĩa của phim muốn nói là Trong một cái xã hội của giới thượng lưu Mỹ, mọi người chỉ quan tâm đến đến vẻ bề ngoài, vật chất mà thờ ơ đi rằng một kẻ tâm thần giết người hoang loạt như Patrick Bateman đang sống và làm việc cùng họ. Hắn cũng là một kẻ ham muốn danh vọng như họ và có một cuộc sống thờ ơ như nghĩa trên thật sự nghe cũng có lý. Nhưng liệu nó còn có lý khi liên kết cả bộ phim với nhau. Ý mình là thật sự Bate có phải là một kẻ Một tên tâm thần sát nhân hàng loạt hay chỉ là gã hoang tưởng ?Bắt đầu với cảnh giết Paul Allen. Hãy nhớ là sau khi giết xong Paul, Bate đã bỏ Paul vào trong cái túi và lôi đi lúc lôi thì máu chảy theo dấu cái túi nhưng không một ai để ý đên điều đóĐọc thêmSau khi mang xác ra khỏi khách sản thì vết máu lại biến mấtKể cả khi người bạn của Bate nhìn thẳng vào cũng không biết đó là túi đựng xác chết. Có thể toàn bộ sự việc này là do Bate tưởng tượng nên. Hay việc Bate giết rượt theo Christie cái tên mà do chính anh đặt cho. Christie la lên ở giữa một căn hộ hay tiếng máy cưa mà Bate cầm theo kỳ lạ không làm một ai tỉnh giấc. Cảnh gần cuối phim, Bate phát hiện ra rằng căn hộ của Paul Allen mà mình ở bấy lâu nay căn hộ chứa đầy xác người thật ra là căn hộ bỏ hoang đang được bán. Không có một ai ở đó hay những cái xác mà Bate đã cất điều trên chứng minh một điều là Bate là một tên tâm thần hoang tưởng nghỉ mình là một kẻ giết người hàng loạt. Đọc thêmCó một điểm trừ nhỏ của bộ phim đối với mình là bộ phim khá mơ hồ giống như Bate vậy. Ta chỉ được thấy bộ phim qua góc nhìn của hắn nên cũng không chắc được cảnh nào do hắn tưởng tượng, cảnh nào thực sự đã diễn ra. Christian Bate có thể là một kẻ sát nhân nhưng không phải là một kẻ sát nhân như hắn nghỉ. ScreenPrismCó nghĩa có thể hắn đã giết người vô gia cư ở cảnh đầu phim, hay một vài cô gái *** nhưng không hề giết Paul Allen. Nhưng chừng đó có vẻ chưa đủ để mọi người để ý đến và hắn vẫn sống nhỡn nhơ trong cái xã hội Một bộ phim mờ hồ với một cái kết mở. Tùy vào cách cảm nhận khác nhau của mỗi chúng ta có thể rút ra những bài học khác nhau. Mong là sau khi đọc xong bài review của mình các bạn sẽ hiểu rõ hơn về bộ phim thêm Back in 1991, Bret Easton Ellis's novel American Psycho shocked readers with its cool account of Patrick Bateman, the fashion-conscious Wall Street broker who works on 'mergers and acquisitions' by day and 'murders and executions' by night. Mary Harron's movie version, co-scripted by feminist Guinevere Turner, isn't likely to shock anyone, partly because their mercifully brief adaptation of the book is a comic turn, and partly because the serial killer has become one of the cinema's stock characters this past decade. Bateman was clearly named to echo America's most famous movie psycho, Norman Bates, but the characters he most resembles are those more recent sociopathic figures fleeing from or attracted to the upper middle-class high life played by Edward Norton in Fight Club, Jude Law and Matt Damon in The Talented Mr Ripley, and Kevin Spacey in American Beauty. This very knowing picture, lit to give the New York scene a hard, metallic surface, is set in the Eighties, the 'me decade' that was supposedly more self-seeking than the 'caring Nineties'. Bateman is a man without any sense of identity who tends his body as if it were a sports car, tuning the engine with exercise, treating the surface with unguents. He's the ultimate other-directed man, caring only about acquisition, status and consumption. This narcissist is so empty that he seeks to externalise his inner turbulence by sadistic, homicidal acts. Or does he? Maybe the violence is all in the mind. American Psycho is a shallow movie, as two-dimensional as its hero, though in a performance that is convincingly American, eerily disturbing and edgily comic, Christian Bale brings Bateman to life. This is, however, pulp fiction printed on glossy magazine paper, it's Driller Killer in a Cerrutti suit - Bateman's first victim, like that of the nutty murderer in Abel Ferrara's video nasty, is a wino sheltering in an alleyway. Cast & crewUser reviewsTrivia2000R1h 42mA wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic f... Read allA wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic wealthy New York City investment banking executive, Patrick Bateman, hides his alternate psychopathic ego from his co-workers and friends as he delves deeper into his violent, hedonistic production, box office & company infoVideos3More like thisReview Dark Commentary on 80s Wall Street CulturePatrick Bateman is a heartless man with no concern for those around him. Serial killer... or capitalist? This film explains there might not be much difference and perhaps shows us why serial killers in the 1980s were more celebrated than any time before or since in popular is not a film for everyone. Some like myself will love every little aspect, while others might be turned off my the sex and violence... or just be really confused by the style the directing is weird, but actually pretty straight-forward once you've read the book. I suppose that is to be expected. Even those looking for a horror film might be let down, as that isn't the real focus cast of this film is amazing. Willem Defoe needs no introduction. Chloe Sevigny one of my favorites, Jared Leto, Reese Witherspoon not my favorite but good for her role and Gwen Turner. Even Samantha Mathis shows up. But, of course, stealing the show is Christian was the perfect choice to play Bateman and I'm glad director Mary Harron would settle for no one else turning down Ed Norton, who gets compared to Bale but remains inferior. Bale is able to be any character he wants comapre this to "Batman Begins", "The Prestige" and especially "The Machinist" and see if there's any of the same characters here. As Bateman, he is perfectly self-absorbed and also maniacally distant. The little dance during the Huey Lewis scene one I have heard he added himself remains for me one of the two key scenes the other involving a chainsaw.Besides the great acting the real reason to watch this, the music is very noteworthy. The book does a fine job of elaborating on the music of the 1980s, and I think they incorporated that well here throwing it in to death scenes rather than as solo pieces adds an interesting twist. This film, along with the gentlemen I go to the tavern with, really got me into Huey Lewis and Phil Collins. Which is really wonderful. Not so much on the Robert Palmer or Whitney Houston...I guess I should also compliment them on the tasteful way read artistic the sex and violence was done. Ax wounds, chainsaws and bite marks... threesomes and science-knows-what done with a coat hangar. But the vast majority is shot from such angles that it's almost all left to the imagination you think you see more than you really I really want you to see this film. It's possibly Bale's best, or at least the one that pushed him into the spotlight. He steals the show. You won't like it if you don't like horror, but the title is "American Psycho" and the cover has a man with a knife, so you know what you're getting yourself into. Grab some popcorn and a Cherry Coke Zero and kick your feet up. Enjoy!gavin6942Apr 16, 2007FAQ30Contribute to this pageSuggest an edit or add missing contentWhat is the streaming release date of American Psycho 2000 in India?AnswerEdit pageMore to exploreRecently viewedYou have no recently viewed pages Three years after the Bret Easton Ellis novel American Psycho finally got made into a movie, after a production odyssey nearly as tortured and calamitous as its publication as a book, a documentary called The Corporation caused a mild stir among arthouse viewers and political thinkers. Inspired by a 14th amendment detail that allowed companies to be seen as individuals, the film asked a simple question if a corporation were a person, what type would he be? In a little under three hours, the film concludes that he would be a common to think about Patrick Bateman, the narrator and brand-conscious mass murderer of American Psycho, as representing certain 1980s themes the greed and rapaciousness of Wall Street, the emptiness of consumer culture, and a Reagan era where old-fashioned values covered the whole Darwinian bloodbath in the sharp, piney scent of Polo cologne. But both book and film, craftily adapted by director Mary Harron and her co-screenwriter Guinevere Turner, are not thinking about him as a symbol per se. They’re thinking of him like the maker of The Corporation what if the era manifested itself as a person? How would he feel? How would he behave? The conclusion is more or less the same, right there in the title.“There is the idea of a Patrick Bateman,” he says in the early in the narration, “some kind of abstraction. But there is no real me only an entity, something illusory.” In Ellis’s book, Bateman has a fraught relationship to his brother and senile mother, but Harron and Turner wisely excise those characters from the film, to where he seems like someone who has no family and no past, as if he simply appeared in the world in a pinstriped Valentino Couture suit. It’s impossible to imagine anything like the organic process of childbirth creating a monster like Patrick Bateman, which may explain why he likes to splash around in human viscera. He’s like an alien, only with a knife instead of a probe. Photograph Allstar/Lionsgate/SportsphotoFor the screen version of American Psycho to come from two women helped short-circuit the charges of misogyny that dogged the book so persistently, though producer Edward R Pressman wasn’t concerned enough to settle quickly on Harron and her star, Christian Bale. The film went through multiple iterations that had Johnny Depp, Edward Norton, Leonardo DiCaprio and Ewan McGregor in the lead, paired with directors like Stuart Gordon, David Cronenberg and Oliver Stone; Harron and Bale spent four years attached to the project like barnacles before Lionsgate acquiesced, albeit on a less-than-generous budget. One of the funnier footnotes of the film is that Gloria Steinem, the most prominent of the novel’s critics, happens to be Bale’s would not be accurate to consider Harron and Turner’s American Psycho a feminist critique of Ellis’s novel so much as a clever and shrewd articulation of it, with less potential for being misunderstood. Ellis himself has expressed mixed feelings about the film, but seems grateful to it for clarifying his satirical intent. Where the book’s deranged first-person style juxtaposed graphic scenes of violence with equally long and pornographic descriptions of high-end consumer items, the film’s voiceover narration integrates them more smoothly, as blood-streaked black comedy. Some of the intended ambiguity may be lost, especially in a finale that’s chaotic and confusing, but the film still feels like an adaptation problem Harron and Turner have solved. They sharpened the years later, American Psycho hasn’t left the culture, because the culture hasn’t left American Psycho. The only difference is that Bateman seems more electable now than he might have been then. Not that he’d be interested in politics when he goes off on an enlightened disquisition to his Wall Street buddies on apartheid, the nuclear arms race, the fight against world hunger, equal rights for women and the return of traditional values, Bateman echoes whatever popular sentiments he’s pulled from the ether. It’s no different later when he and a Valium-addled second girlfriend work catchphrases from Saturday Night Live characters like Fernando Lamas and The Church Lady into casual conversation. He’s crudely approximating what a human might say. Photograph Allstar/Lionsgate/SportsphotoWhat Bateman truly cares about are beauty, order and conformity – being the perfect consumer. Before slaughtering his guests, he expresses admiration for the professionalism of Huey Lewis and the News, the late-period Genesis record Invisible Touch, and the string of No 1 hits on Whitney Houston’s debut. He wants to go to the most exclusive restaurants, and quotes from reviews “a playful but mysterious little dish”. He wants to have the nicest suits, the best apartment, the most refined font and coloring on his business cards. He has moments when he’s soothed by optimal restaurant seating or the aesthetic marvels of his own body – he arranges a threesome to get off on himself – but he can’t sustain the feeling for long. His obsessions are hollow and the world too flawed to satisfy ugliest violence in American Psycho usually chases the pettiest itch, like Bateman getting the worst of an Old West-style business-card quickdraw and taking it out on a homeless man, or his rage over a rival’s access to an impossible-to-book restaurant leading to an ax attack set to Hip to Be Square. Harron and Turner’s script makes a running joke of Bateman’s fussiness, like the spoon from a sorbet pint nearly touching his living-room table or blind panic that grips him when he walks into a more expensive apartment overlooking Central Park. The only instinct stronger than his narcissism is his sense of entitlement, and the impossibility of Bateman ever finding satisfaction on either front is a route to Bateman, Bale exudes just the right kind of anti-charisma. It’s hard to play a character without a soul, so Bale focuses on giving a face to the void within. He disappears into the role in all but the most literal sense, and when his eyes aren’t completely vacant, they’re filled with a panic and fury that Bateman only knows how to extinguish through violence. Bale doesn’t want the audience to pity his Bateman, but as he becomes completely unmoored from reality, his misery comes through as strongly as his sociopathy. Bateman wants so badly to be the prototypical capitalist douchebag, but he’s getting worse and worse at faking the human Bateman try anyway makes American Psycho endure as a straight-up comedy more than a macabre provocation or a serial-killer thriller. Here’s a man who tries to slip the inquiries of a private detective by ducking out for lunch with Cliff Huxtable, and says on three different occasions that he was out returning videotapes. He thinks it’s normal guy talk to quote Ed Gein on women, or entertain a date with a fun fact about the name of Ted Bundy’s dog. The final joke of American Psycho is that nobody seems to notice that anything is all that wrong about him. They weren’t really listening anyway. TRAILER 202 Play all videos What to know If it falls short of the deadly satire of Bret Easton Ellis's novel, American Psycho still finds its own blend of horror and humor, thanks in part to a fittingly creepy performance by Christian Bale. Read critic reviews Team America World Police In Theaters Subscription Rent/buy Rent/buy American Psycho videos American Psycho Trailer 1 TRAILER 202 American Psycho Photos Movie Info In New York City in 1987, a handsome, young urban professional, Patrick Bateman Christian Bale, lives a second life as a gruesome serial killer by night. The cast is filled by the detective Willem Dafoe, the fiance Reese Witherspoon, the mistress Samantha Mathis, the coworker Jared Leto, and the secretary Chloà Sevigny. This is a biting, wry comedy examining the elements that make a man a monster. Rating R LanguageDrug UseStrong Violence Genre Comedy, Mystery & thriller, Horror Original Language English Director Mary Harron Producer Christian Halsey Solomon, Chris Hanley, Edward R. Pressman Writer Bret Easton Ellis, Mary Harron, Guinevere Turner Release Date Theaters Apr 14, 2000 wide Release Date Streaming Jun 21, 2005 Box Office Gross USA $ Runtime 1h 43m Distributor Lionsgate Films Production Co Films, Lions Gate Entertainment, Edward R. Pressman Film Corp., Muse Productions, Quadra Entertainment Sound Mix Dolby A, Dolby Stereo, Dolby SR, Dolby Digital Aspect Ratio Scope Cast & Crew News & Interviews for American Psycho Critic Reviews for American Psycho Audience Reviews for American Psycho Apr 24, 2017 Put on a show, Christian. Super Reviewer Mar 11, 2016 Bale delivers one of his most complex roles to date in this cult classic, which keeps things interesting through its crisp dialogue and "is it really happening or not?" approach. Super Reviewer Feb 06, 2016 A surprisingly influential film. American Psycho gives us a dark, funny and amazing performance by Christian Bale, smart writing, plot and great performances all around. American Psycho is a dark comedy keep in mind.... don't go into it expecting it to be full comedy, there will be some scenes that will disturb you and haunt you for life and it is glorious! One of my favourites, spread the love of this film all around, tell your friends, family probably not a good idea... and loved ones they'll get a kick out of this flick. Two thumbs up! Super Reviewer Dec 06, 2015 "American Psycho" is a great thriller film of 2000. "American Psycho" has strong acting from "Christain Bale" and "Willem Dafoe". "American Psycho" has a good plot to it, some scenes are pointless, but only some. The music in this film fits in great with the scenes to show how "Patrick Bateman" is thinking/feeling. The murders/special effects are great. I recommend you "American Psycho" if you enjoy thrillers/dark movies. I give "American Psycho" a 7/10. Super Reviewer

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